Poetry: language that is condensed to create an artistic effect
time to read aloud v. speak aloud
A text is not poetry if it takes longer to read than to explain.
A simple formula for poetry:
Condensed language + Artistic Effect = POETRY
- Connotation (cultural meaning) and Denotation (dictionary meaning):
gaunt skinny "thin" slender svelte
Pejorative: critical Honorific: valued
- Concreteness v. Abstraction
<---------------------------------------More Abstract
Transportation, Vehicle, Car, Toyota, Camry
-------------------------------------> More Concrete
- Precision
Empty words such as 'nice' and 'good' can have layers of multiple meanings.
- Elevation v. Colloquialism
<---------------------------------------------------------------------------------------------->
Slang Colloquial Elevated Epic (Outsiders) Language Language Diction
- Dialect, Jargon, Regionalism
http://www.facebook.com/home.php?#!/photo.php?pid=5440465&fbid=437691330818&id=643845818&ref=nf
http://www.altiusdirectory.com/Travel/images/us-outline-map.jpg and some of my own magic...
- Tone
Texts Discussed in Class and for Homework: Kitchenette Building:
- Themes: dreams, traditional ideas about women, importance of family, power of society
- Powerful Diction and imagery in second stanza (Onion fumes, garbage ripening...etc)
- Gwendolyn Brooks Bio: http://www.poemhunter.com/gwendolyn-brooks/biography/
- Themes of impotence, castration, autoeroticism, (a.k.a. masterbation!) molestation, pedophilia
- women dominate; they dish out the actions
- men are passive and frustrated recipients
- more female than male leads in classic fairy tales
- In this poem, however, the few named males dominate the poem
- women are vampires (as Foster pointed out); influenced by society
- "Two boys got rich like Cinderella" - not true at all! The boys went through lots of challenges, and didn't even achieve anything. Cinderella married a Prince (easy!) and go everything she wanted
- T.S. Eliot Bio: http://en.wikipedia.org/wiki/T._S._Eliot
- poetry is universal and ancient
- Poems help illustrate experience rather than information
- Readers can participate in poetry and gain awareness to new issues
- "The Eagle"- blends literary and analytical perspectives of eagle into a condensed text
- poetry broadens and deepens our experiences
- Two limiting approaches to poetry: Always look for a moral lesson; Always find poetry beautiful
- "Winter" - Poem has no moral and is not meant to be beautiful
- "Dulce et Decorum Est"- focuses on philosophical truth and real life experiences
- "Poetry is the most condensed and concentrated form of literature" (723).
- One must communicate with poetry
- Poetry draws "more fully and more consistently" on language
- Read a poem more than once
- Keep and use a dictionary
- Read so you can hear the words in your mind
- Pay attention to what the poem is trying to say
- Read poems aloud sometimes
- Paraphrase: to restate a poem in different, simpler language
- Questions to ask: Who is the speaker? What is the occasion? What is the central purpose of the poem? By what means is that purpose achieved?
- Keep an open mind when reading a poem
- Denotation v. Connotation (see definitions earlier)
- poets seek most meaningful words
- poets love when words have multiple meanings
- "Naming of Parts" - plays on the meanings of "Spring"
- Imagery: representation through language of sense experience
- Mental picture (visual imagery)
- A Sound (auditory imagery)
- A Smell (olfactory imagery)
- A Taste (gustatory imagery)
- A Touch (tactile imagery)
- An internal feeling (organic imagery)
- Movement or tension in muscles/joints (kinesthetic imagery)
- "The Widow's Lament" - uses visual imagery throughout the poem (flames, cherry branches...)
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